- - - CPM 22 - - -

CPM 22
formed São Paulo band in 1995 in the city of Barueri.

History:
CPM 22 is one of the bands of more success currently in the scene of the Brazilian rock. Its musics basically deal with the emotions of the young, as loves, conquests and frustrations, with a sound inspired by the rhythm of the Hardcore/Punk of names as The Ramones, Garage Fuzz and also of alternative sources as Weezer and Smashing Pumpkins. As many other bands, the CPM started in underground, touching in small houses e for little public. Since that they had been contracted by a great recorder, its success was fast, reaching the mark of more than 200 a thousand copies, a sufficiently respectable number for the Brazilian market, taking in consideration the style of the band. The band exists since 1995, before called only CPM, (Acronym of post office box a thousand). Already in 1996, they had launched its first demon covers in K7 Format. A little later, in 98, the Wally guitarist changed the name of the band for CPM 22 (Two 22 Post office box A thousand and [ Twenty and ]), and entitularam the second demon covers with the new name. The agenda of shows was growing e, consequently, the collection for new material. New compositions had appeared, always with the Hardcore mark of the band and the result was the independent COMPACT DISC "A Some Kilometers of Nenhum" Place;. In 2001 CPM 22 signed contract for the stamp of the Music Armory with the recording Music April, thus recording album CPM 22, already with traces pop in its musical style where "O left the success World of the Voltas" e "Tarde of Outubro" e some already known by who folloied them as "Anteontem".. The partnership relieved plus an album, it "Chegou the Hour De Recomeçar". "Desconfio" , "Dias Atrás" e "Não Sei To live Without Having Você" "Atordoado" had marked its career with right the participation of music; in a novel of the Globe " Of The Color Of The Pecado". In 2005 the band launched the album Instantaneous Happiness, always alternating between quick musics in the style Hardcore Melódico and slower musics with taken pop, as in the two albums Minute for the End of the Mundo" anteriores.Esse albúm was very important therefore of it more left one the musicas of the band touched in the radios of Brazil... "Um; (music this that they already albúm only had composition the years however in had decided to record it), another conquest with this compact disc was music "Irreverssível" that it in such a way presenteou them in the radios as in the MTV in festival VMB as "Melhor clip of the Ano". In 2006, it launched its first disco(e plus a DVD) to the living creature, MTV To the Living creature that is a register of the career of the band. In contrast to many "Ao Alive MTV" they had chosen a more private place thus., coming back the origins, musics had been executed in a scene undergound with little more than 2 a thousand people in return of the band. Of the same work they sairam hits "Inevitável" e "Além of Nós". Programmed for end of October of 2007, saira its 4 entitulado album "Cidade Cinza", of which already we can hear single "Nossa Música" in the main radios.

Integrant:
Fernando Estéfano Badauí - Badauí - Voice
Ricardo Di Robert - Japinha - Battery and vocal
Eduardo Ippolito Torrano Gomes - Wally - Guitar and vocal
Luciano Garci'a - Luscius – Guitar
Fernando Sanches Takara - Fê/ Fernandinho - Low

Discografia:
MTV To The Living creature (2006)
Instantaneous happiness (2005)
Arrived The Hour De Recomeçar (2002)
CPM 22 (2001)
To Some Kilometers of Place None (2000)
CPM 22 (Demon Covers) (1998)
How For Moral (Demon Covers) (1996)

DVD’s:

MTV To Living creature CPM 22 (2006)
Instantaneous Happiness DVD (2005)


Nomes:
Felipe Moulin Nº 10
Filipe Xavier Nº11
Jonathas Batista Nº19
Juliana Bueno Nº20
Philip Marques Nº36

Fontes: www.cpm22.com.br
http://pt.wikipedia.org/wiki/CPM_22

Modernismo

Chama-se genericamente modernismo (ou movimento moderno) o conjunto de movimentos culturais, escolas e estilos que permearam as artes e o design da primeira metade do século XX. Apesar de ser possível encontrar pontos de convergência entre os vários movimentos, eles em geral se diferenciam e até mesmo se antagonizam.
Encaixam-se nesta classificação a literatura, a arquitetura, design, pintura, escultura e a música modernas.
O movimento moderno baseou-se na idéia de que as formas "tradicionais" das artes plásticas, literatura, design, organização social e da vida cotidiana tornaram-se ultrapassados, e que fazia-se fundamental deixá-los de lado e criar no lugar uma nova cultura. Esta constatação apoiou a idéia de re-examinar cada aspecto da existência, do comércio à filosofia, com o objetivo de achar o que seriam as "marcas antigas" e substituí-las por novas formas, e possivelmente melhores, de se chegar ao "progresso". Em essência, o movimento moderno argumentava que as novas realidades do século XX eram permanentes e iminentes, e que as pessoas deveriam se adaptar as suas visões-de-mundo a fim de aceitar que o que era novo era também bom e belo.
A Semana de Arte Moderna foi um marco para o movimento modernista e ocorreu em São Paulo no ano de 1922 no período entre 11 e 18 de fevereiro no Teatro Municipal da cidade. Durante os sete dias ocorreu uma exposição modernista no Teatro e nas noites dos dias 13, 15 de fevereiro e 17 ocorreram apresentações de poesia, música e palestras sobre a modernidade.
Representou uma verdadeira renovação da linguagem, na busca de experimentação, na liberdade criadora e na ruptura com o passado. O evento marcou época ao apresentar novas idéias e conceitos artísticos. A nova poesia através da declamação. A nova música por meio de concertos. A nova arte plástica exibida em telas, esculturas e maquetes de arquitetura. O adjetivo "novo", marcando todas estas manifestações, propunha algo a ser recebido com curiosidade ou interesse.
Participaram da Semana nomes consagrados do Modernismo brasileiro, como Mário e Oswald de Andrade, Víctor Brecheret, Anita Malfatti, Menotti Del Pichia.

A nossa obra é o "Sono" de Tarsila do Amaral e está relacionado com a fase antropológica da artista, fase onde a mesma rompe sua relação com o mundo real usando cores teluricas, unindo o fantástico com o primitivista que se deformam e se confundem com o sono.
Nossa obra usa desses elementos como base, as cores teluricas como o vermelho e o verdo, são nossos elementos principais.


fonte: http://pt.wikipedia.org/wiki/Modernismo

Componentes:
Gabriela nº 13
Karoline nº 22
Lucas nº26
Maristella nº 28
Tais nº 43

Bon Jovi

Full name: John Bongiovi Frank, jr.

Date of birth: March 2, 1962.

Hobbies: Buying and collecting classic cars.

Favorite Food: Big Mac's.

Favorite Drink: "Muff Dive," invented by the same.

His mother, a former miss, adentrarle tries in the music world, but the issue was not attracted to several years later, after attending some concerts.
He began singing at age 15. His first concerts were just festivals in New Jersey and college dances. Soon he left school and decided to get fully into the world of music.
Start playing in a band rhythm 'n' blues, 'Atlantic City Expressway', known in the musical environment of New Jersey. You know Dave Bryan, who will collaborate on projects after wider.
A few years later, Jon came in the group 'The Rest', but problems with the head of the group make it stop soon.
Then decided to go to New York to work around known recording studios. Here you can see to save the greatest artists of the moment and learn from them. Get record a demo with a song, 'Runaway', after which time it would be a great success.
Along with Dave Bryan creates a group, 'Wild Ones', which turned out to be a failure in his live performance and was not able to obtain the sponsorship of any record.
Thanks to the success of 'Runaway', Polygram was set at Jon and he made a great contract, giving absolute freedom to hire musicians wishing for a new group. Then contacted David Bryan and hired Alen John Such, Tico Torres, as a battery, and as a guitarist Richie Sambora.
The first disc, 'Bon Jovi', was released in 1984 and the first single was precisely 'Runaway', his first hit. They managed a remarkable result in sales, despite being a hard rock band, less accustomed to sell.
The second album,'7800 º Fahrenheit 'had a more discreet and it was not until the third album, "Slippery When Wet', to see the final triumph of the group. With this work got to get to number one on the lists of successes and led a tour of more than a year worldwide.
In 1988 publishes' New Jersey ', a repeat of the formula used in previous disc and they served to repeat with a resounding success.
In 1990 come to light 'Blaze Of Glory', the soundtrack from the movie 'Young Gun', which Jon opted for an Oscar in Hollywood and with which he won the prize for best single of the awards Award.
In 1991, after change of manager, published 'Keep The Faith', a new success for the group, reaching back to be number one and perhaps the best of the group. The pace is a little hardened and lyrics matured.
Thereafter, we have published a compilation record, 'Crossroad', and an album of study, 'These Days'. His latest works have so far been 'Destination Anywhere' and 'Crush'.
In 2002 published a new album entitled 'Bounce'. 12 new compositions, both ballads as topics rockers make use of narrative and music from past successes of the group. Recorded in the group's native state, New Jersey, the highly awaited "Bounce" shows Jon Bon Jovi and Richie Sambora as producers alongside Luke Ebbin, which produced "Crush", which was double platinum album in the USA and sold more than 8 million copies worldwide.

Bibliography: www.cade.com.br
http://orbita.starmedia.com/~mundocio/bonjovi.htm
http://www.musicadirecto.com/musica/artistas/Bon-Jovi/


Group:

Maytê Marques Feiteiro Nº: 30 3ºC
Natana Braga Alves Nº: 33
Rodrigo Meggiolaro Nº: 40
Samanta Cavinati Nº: 41
Yuri Nº: 45

Tarsila do Amaral

Tarsila do Amaral: "Abaporu"

Tarsila do Amaral foi uma modernista: pintou o Brasil, desrespeitou normas clássicas da pintura tradicional e encheu suas telas de cores, muitas cores. Tarsila conseguiu traduzir em cores vibrantes todas as sombras de um país.
País este que, segundo a visão apurada e singular da pintora, também é caipira, interiorano, quase rústico. País que Tarsila, em viagem feita a Minas Gerais, descobriu em pessoas, casas, ruas e aridez. A artista não traz apenas a beleza exemplar brasileira, mas ao contrário, denota suas silhuetas e contornos mais obscuros e, talvez por isso, mais interessantes.
Um modelo clássico do que se fala é sua obra mais conhecida, a pintura Abaporu. Neste quadro, segundo a descrição da própria artista, “há uma figura solitária monstruosa, pés imensos, sentada sobre uma planície verde, o braço dobrado repousando num joelho, a mão sustentando o leve peso da minúscula cabeça. Em frente, um cactus explodindo em uma enorme flor.”
Essa representação é o homem, plantado na terra; é a figura de pés grandes, plantados no chão brasileiro, sugerindo a idéia da terra, do homem nativo, selvagem, antropófago. Como o próprio nome Abaporu indica em tupi-guarani, aba: homem, poru: que come.
Tarsila do Amaral foi a representante do movimento Pau-Brasil que, subdividido nas fases construtivo, exótico e metafísico/onírico, representa o cúmulo da brasilidade, traduzida não somente em seus temas humanos e nacionais, como também nas cores vivas até então rejeitadas por uma academia retrógrada e passadista.
Seus tons, de intensidade e força absurdas, são reminiscências de infância da pintora nascida em Capivari, interior de São Paulo. Desde então, Tarsila adota de forma quase que rebelde e contestadora, cada colorido excessivo para, assim, melhor representar um país-aquarela.
Engana-se, no entanto, quem acredita ser Tarsila do Amaral uma pintora estritamente rural. Não. É ela, isso sim, uma artista brasileira, modernista, bem-humorada, arraigada à nacionalidade brasileira. Pintou telas urbanas como São Paulo (1924) e Morro da favela (1924), retratou figuras humanas como o famoso quadro A Negra (1923) e A caipirinha (1923), registrou o interior brasileiro como em Cartão Postal (1929) e Sol poente (1929) e inaugurou a pintura social em Operários (1933).
Tarsila do Amaral, a modernista brasileira, a brasilidade moderna e colorida.

Bibliografia: http://www.efgarte.com/biografiatarsiladoamaral.htm

Nomes: Adriana de Santana - n°01 3°C

Cinthia Alves - n°05

Kamila L. T. Filareto - n°21

Lucas Barbosa - n°24

Marcos A. Franco Jr. - n°27

John Lennon

John Lennon

Biograpy


John Winston Lennon was born on the evening of 9 October 1940 during the height of Germany's Blitz on Britain. He inherited his mother's reddish-blonde hair and his father's slightly squinted eyes and prominent nose. Both of his parents had musical background and experience, though neither pursued it seriously. John Lennon's childhood years were tinged with tragedy. He lived with his parents in Liverpool until his father Fred Lennon, a merchant seaman, walked out on the family. His mother, Julia, then decided that she was unable to care for John as well as she should and so gave him to her sister, Mimi, who resided nearby at 251 Menlove Avenue. Roles were reversed as the socially class-concious, strict but loving Aunt Mimi became mother to John, while his true mother Julia acted more like a free-willed aunt who visited regularly and spoiled the lad.


Role in the Beatles
John Lennon


As a member of The Beatles, Lennon had a profound influence on rock and roll and in expanding the genre's boundaries during the 1960s. He is widely considered, along with fellow-writing partner Paul McCartney, as one of the most influential singer-songwriter-musicians of the 20th century. Of the two, Lennon is generally viewed as the better lyricist, while McCartney is seen as the more accomplished composer. Though overly simplistic, this view does have some truth as much of the songs credited to Lennon-McCartney, but actually inspired by Lennon himself are more developed, introspective pieces often in the first-person and dealing with more personal issues. Lennon's lyrics are also often the more lyrical, due to his love of word-play, double-meaning and strange words. His most surreal pieces of songwriting, Strawberry Fields Forever and I Am the Walrus are fine example of his unique style. Lennon's partnership in songwriting with McCartney many times involved him in complementing and counterbalancing McCartney's upbeat, positive outlook with the other side of the coin, as one of their songs, Getting Better demonstrates:McCartney: I have to admit it's gettin' better, it's gettin' better all the time.Lennon: It couldn't get much worse!John Lennon often spoke his mind freely. On March 4, 1966, in an interview for the London Evening Standard with Maureen Cleave, he made the following statement:"Christianity will go. It will vanish and shrink. I needn't argue with that; I'm right and I will be proved right. We're more popular than Jesus now. I don't know which will go first, rock 'n' roll or Christianity. Jesus was all right, but his disciples were thick and ordinary. It's them twisting it that ruins it for me."While the statement is certianly an odd one to make about one of the world's major religions, many view it as taken out of context. It should be noted that, like the other major religions, Christianity has been around for milennia and has shown no hint of decline. Regardless, when read in the proper context of the article, Lennon sounds actually saddened that a rock group such as The Beatles became more important to many people than spirituality. Though the article was unnoticed in the UK, there was a severe backlash by conservative religious groups in the U.S. Radio stations banned the group's recordings, and their albums and other products were burned and destroyed. Spain and the Vatican denounced Lennon's words, and South Africa banned Beatles music from the radio. Lennon seems to have been quite distressed by this row and later admitted that he didn't like having introduced more hate into the world. On August 11, 1966, he held a press conference in Chicago in order to address the growing furor. He told reporters "I suppose if I had said television was more popular than Jesus, I would have gotten away with it. I'm sorry I opened my mouth. I'm not anti-God, anti-Christ, or anti-religion. I wasn't knocking it or putting it down. I was just saying it as a fact and it's true more for England than here. I'm not saying that we're better or greater, or comparing us with Jesus Christ as a person or God as a thing or whatever it is. I just said what I said and it was wrong. Or it was taken wrong. And now it's all this."The Vatican accepted his apology. He was often misquoted as saying "bigger than Jesus", which led many to believe that he meant that the Beatles were better than Jesus. Whether he thought that (at the time anyway) is not clear, but he certainly did not say that.On November 9, 1966, after their final tour ended and right after he had wrapped up filming a minor role in the film How I Won the War, Lennon visited an art exhibit of Yoko Ono's at the Indica art gallery in London. The Beatle was impressed by Ono's art, most notably a piece consisting of a small word which could only be read with a magnifying glass from a ladder. The word was "yes". "It was positive!" he enthusiastically told Rolling Stone magazine in 1970. Ono and Lennon, both married, immediately made an impression on each other. They occasionally made contact with each other during the period of Sergeant Pepper and the "Summer of Love."Finally in the spring of 1968, after returning disenchanted from a transcendental meditation retreat in India, Lennon began his love affair with Ono, and revealed the fact to his increasingly estranged wife Cynthia. Cynthia Lennon filed for divorce later that year, while Lennon and Ono from then on were inseperable in public and private, as well as during Beatles recording sessions. This new development led to obvious friction with the other members of the group, and heightened the tension during the 1968 White Album sessions.Undue blame has been heavily placed on Ono as the sole cause of the group's fracture, as they were already diverging shortly after the death of their manager, Brian Epstein, in 1967. Lennon's immediate reaction to Epstein's death had been, "The Beatles are finished." What he saw as misguided leadership from McCartney after this seems to have had a lot to do with the fracture between them.At the end of 1968, Lennon and Ono performed as Dirty Mac on the The Rolling Stones Rock and Roll Circus.During his last two years as member of The Beatles, Lennon remained as vocal as ever, spending much of his time with Yoko on public displays speaking out against the Vietnam War, and for peace. He sent back the MBE (Member of the Order of the British Empire) he got from the Queen of England, reportedly "with love", to protest British support of the Vietnam War and their involvement in African affairs. On March 20, 1969, John Lennon and Yoko Ono were married in Gibraltar, and spent their honeymoon in Amsterdam in a "bed-in" for peace. John and Yoko followed up their honeymoon with another "bed-in" for peace this time held in Montreal. During the second "bed-in" the couple recorded "Give Peace a Chance". They were mainly patronized as a couple of eccentrics by the media, but still were important figures in the anti-war movement. Shortly after, John changed his middle name from Winston to Ono to show his "oneness" with Yoko. Lennon wrote "The Ballad of John and Yoko" about his marriage and the press's take on it all.
They were mainly patronized as a couple of eccentrics by the media, yet they did a great deal for the peace movement, as well as for other pet causes, such as women's liberation and racial harmony. As with the "Bed-In" campaign, Lennon and Ono usually advocated their causes with whimsical demonstrations, such as Bagism, first introduced during a Vienna press conference. Shortly after, Lennon changed his middle name from Winston to Ono to show his "oneness" with his new wife. Lennon wrote "The Ballad of John and Yoko" about his marriage and the subsequent press it generated.After both being injured in the summer of 1969 in a car accident in Scotland, Lennon arranged for Yoko to be constantly with him in the studio as he recorded his last album with The Beatles, Abbey Road. A full-sized bed was rolled into the studio so that Lennon would not be separated from Ono. Abbey Road was the last polished, united effort by the group, and after its release in the autumn of 1969, it seemed the four members had made a peaceful parting of ways. But the release of the rough, and over-orchestrated "Let It Be" album in May, 1970 had acrimonious results. While the group managed to hang together to produce it, soon thereafter business issues related to Apple Corps came between them.The failed Get Back/Let It Be recording/filming sessions did nothing to improve relations within the band. Lennon decided to quit the Beatles but was talked out of saying anything publically. Phil Spector's involvement in trying to revive the Let It Be material then drove a further wedge between Lennon (who supported Spector) and McCartney (who opposed him.). Though the split would only become legally final some time later, Lennon and McCartney's partnership had come to a bitter and definite end.McCartney soon made a press announcement, declaring he had quit the Beatles, and promoting his new solo record.

Solo career

Of the four former Beatles, Lennon had perhaps the most varied recording career, often reflecting the vicissitudes of his personality. While he was still a Beatle, Lennon and Ono recorded three albums of experimental and difficult electronic music, Unfinished Music No. 1: Two Virgins, Unfinished Music No. 2: Life With The Lions, and Wedding Album. His first 'solo' album of popular music was Live Peace In Toronto, recorded in 1969 (prior to the breakup of the Beatles) at the Rock 'n' Roll Festival in Toronto with a Plastic Ono Band including Eric Clapton and Klaus Voormann. He also recorded three singles in his initial solo phase, the anti-war anthem Give Peace a Chance, "Cold Turkey" (about his struggles with heroin) and "Instant Karma!".Following the Beatles' split in 1970, he released the Plastic Ono Band album, a raw, honest record, heavily influenced by Arthur Janov's Primal therapy, which Lennon had undergone previously. This was followed by Imagine, his most successful solo album, which dealt with some of the same themes. The title track is a lovely song which has become an anthem for world harmony, but Lennon himself was later dismissive of it, claiming he had "sugar coated" his message. Certainly there is irony in Lennon, a prodigious shopper, urging his fans to imagine life with "no possessions." "Imagine" was Lennon's most memorable song, a song that still inspires generations of peace builders today.Perhaps in reaction, his next album, Sometime In New York City, was loud, raucous, and explicitly political, with songs about prison riots, racial and sexual relations, the British role in the sectarian troubles in Northern Ireland, and his own problems in obtaining a United States Green Card.Throughout his solo career, he appeared on his own albums (as well as those of other artists like Elton John) under such pseudonyms as Dr. Winston O'Boogie, Mel Torrment, and The Reverend Fred Gherkin.Two more albums of personal songs, Mind Games and Walls And Bridges, and one of cover versions of rock and roll songs of his youth, came before 1975 when, following a fourteen-month split from Ono during which he had an extramarital affair with Ono's former secretary May Pang, he retired to concentrate on his family life.The retirement lasted until 1980, when he and Ono produced Double Fantasy, a concept album dealing with their relationship. He also started work on Milk and Honey which he left unfinished. It was some time before Ono could bring herself to complete it.Lennon's son with Cynthia, Julian Lennon, enjoys a notable recording career of his own, as does his son with Yoko, Sean Lennon.

Memorials and tributes
Main article: List of John Lennon tributes


On 14 December 1980, millions of people across the world responded to Ono's request to pause for ten minutes of silence to remember Lennon. Thirty thousand gathered in Liverpool, and the largest group - over 100,000 - converged on New York's Central Park, close to the scene of the shooting.[153]
On January 22, 1981, an Annie Leibovitz photo of Lennon, taken on the day he died, appeared on the cover of the Rolling Stone magazine (Issue #335). In October 2005 it was voted their best ever magazine cover. [154]
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes, principally New York City's Strawberry Fields[155] — a memorial garden area in Central Park, across the street from the Dakota building. Shortly after his death, Yoko Ono donated $1 million for its maintenance. It has become a gathering place for tributes on Lennon's birthday and on the anniversary of his death, as well as at other times of mourning, such as after the September 11, 2001 attacks and following George Harrison's death in November 2001.
On October 9, 2007, Lennon's widow, Yoko Ono, dedicated a new memorial called the Imagine Peace Tower, located on the island of Videy, off the coast of Iceland. Each year, between October 9 and December 8, it will project a vertical beam of light high into the sky.

Most important songs of John Lennon
1. Imagine
2. womam
3. Happy

4. Working
5. Class Hero
6. Give Peace a Chance
7. Power to the people
8. Oh Yoko!

Bibliography: www.wikipedia.com.br
www.johnlennon.it



Group: Adriana de Santana - n° 01 3°C
Cinthia Alves - n° 05
Kamila L. T. Filareto- n° 21
Lucas Barbosa - n° 24
Marcos A. Franco Jr. - n° 27

Di Cavalcanti

Nascido no Rio de Janeiro em 1897, estreou como desenhista no salão das Humoristas em 1916. Após se mudar para São Paulo em 1917, conviveu com Mário e Oswald de Andrade, Tarsila do Amaral, Anita Mafalti e Brecheret. Freqüentou também o ateliê do pintor impressionista alemão George Elpons.

Foi dele a idéia da Semana de Arte Moderna, que aconteceu no Teatro Municipal de 1922. Era uma época de muitas novidades, como o carro, a fotografia e o cinema mudo. Então a vida das pessoas estava mudando muito rápido, mas a poesia e a pintura contivuavam a seguir as antigas regras, em sua maioria francesas.

Di Cavalcanti foi também um intelectual bem informado sobre as vanguardas artísticas de seu tempo. Em 1921, foi convidado a ilustrar o livro "Balada do Cárcere de Reading", de Oscar Wilde, um dos mais renomados escritores da época. Neste mesmo ano se casa com Maria, sua prima em segundo grau.

A semana de 22 foi uma espécie de festival em que modernistas brasileiros mostraram seus trabalhos. Além de expor suas telas, Di Cavalcanti desenhou o programa e os convites da mostra. Em seguida, em 1923, viajou para a Europa para estudar e lá conheceu e conviveu com grandes mestres da pintura, como Picasso, Braque, Matisse e Léger. Di Cavalcanti também teve influências de Paul Gauguin, de Delacroix e dos muralistas mexicanos. O contato que teve com o cubismo de Picasso, o expressionismo e outras correntes artísticas de vanguarda, contribuiu para aumentar sua disposição em quebrar paradigmas e inovar em sua arte, sem perder de vista uma estética que abordava a sensualidade tropical.

Na volta ao Brasil, retratou temas nacionais e populares, como favelas, operários, soldados, marinheiros e festas populares. Também ficou conhecido por seus belos retratos de mulatas, fase em que consagrou a modelo e atriz Marina Montini.

Em 1926, já no Brasil, ingressa no Partido Comunista e continua a fazer ilustrações. Após nova viagem a Paris, faz os painéis de decoração do Teatro João Caetano do Rio de Janeiro. Em 1932, durante a Revolução Constitucionalista, Di Cavalcanti é preso pela primeira vez. Após ser libertado, se casa com Noêmia Mourão, sua segunda esposa.

O pintor recebeu prêmios importantes, como a "Medalha de Ouro" na exposição de Paris (1937) e o título de "Melhor Pintor Brasileiro" na II Bienal de São Paulo (1953), junto com Volpi.

Di Cavalcanti era um artista de muitas habilidades. Além de quadros e ilustrações para revistas, fez desenhos para jóias, tapetes e painéis. Morreu na sua cidade natal em 1976.

Fonte: pt.wikipedia.org

Grupo:
Danilo 07
Ester 09
Gabriela 14
Helder 16

Modernismo

Comentário sobre o trabalho do abajur.

Obra: O lago de Tarsila do Amaral.

Comentário (obra e peça):A peça é uma reprodução de uma maravilhosa tela com o colorido e o tema tão típico de Tarsila.Na obra a pintora abandona a profundidade abstrata de distância e revela uma paisagem estilizada e fantástica tomando concretude sensual e exuberante.

Na peça a iluminação representa a sabedoria em contraste às águas representada na obra, que ilustram a vida.A torre de palitos dá destaque a estrutura que temos em nossas vidas sempre pensando em subir e aumentar suas expectativas, mas ao mesmo tempo, tão frágil quanto uma madeira.Apaisagem da obra tão colorida enfatiza as alegorias da vida, mesmo quando estamos à um passo de afundar nela.

Caroline Soares N°04

Deise Carolina N°08

Igor Mesquita N°18

Natalia Trucolo N°32